The original temple of Puri is said to have its origins dating back to almost 1078 to 1148 CE. However, the one we see today is a reconstructed version of the original temple that was built in the year 1174 CE by king Ananga Bhima Deva.
This temple has a mythical past to it. It is said that when Pandavas began their journey to Yama Lok, the Sapta Rishis advised them to visit the Chaar Dham to attain moksha. One destination of this Chaar Dham is the Puri Jagannath Temple.
The three idols placed in this temple are of Lord Krishna or Lord Jagannath along with his brother Balarama and sister Subhadra. How these unique wooden idols came into being is yet another alluring story of this temple.
Legend has it that Lord Vishnu manifested near the seashore at the end of the Treta Yuga in the form of a blue colored jewel called Indranilamani. The shine of this jewel was so bright that it could grant instant moksha to anyone who looked at it. In order to prevent that from happening, Lord Yama hid that jewel by burying it. Later in Dwapara Yuga, a Malwa king named Indradyumna wanted to find that jewel and performed severe penance for it. Lord Vishnu in the form of a divine voice instructed King Indradyumna to make an idol out of a tree log that he can find floating on Puri beach. As instructed Lord Indradyumna set out on his task where Lord Vishnu himself took the form of an artisan to sculpt the idols. He, however, demanded that he remain undisturbed until he is done. After a couple of weeks, the king and queen took the artisan to be dead as there was no sound from him and entered the workplace thereby invading his privacy and solace. Lord Vishnu hence left the idols unfinished. It is because of this that Puri Jagannath’s idol is said to have no hands.
Of all the festivals celebrated in this temple, two remain to be of utmost importance- The Rath Yatra and The Nabakalebara.
Once every year, in the rainy month of Asadha (around June or July), the three idols of Puri Jagannath temple are brought out onto the main streets of Puri where they are carried on wheeled chariots to Shri Gundicha Temple where they stay for nine days and then return back to Shri Mandri, halting at Mausi Maa Temple on their way back.
This procession is called Rath Yatra and is a major celebration in Odisha. People decorate roads and the chariots are well decorated by skilled artisans for this purpose.
A once in a blue moon festival, Nabakalebara usually occurs in a time gap of 8, 12 or even 18 years. During this time, the existing idols of Lord Jagannath, Lord Balarama, and Devi Subhadra are buried and new idols are installed. These idols are made using a special variety of wood and this festival calls in huge population from across the globe.
Arts and crafts of Lord Jagannath from our collection:
At Artisanscrest, we house a very exquisite range of art and craft related to Lord Jagannath and the temple of Puri.
Take a look below.
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The festival of lights has just gone by and we are hardly over it yet. As a nation, we celebrate this one festival with more joy and fervor than any other!
A five-day celebration, it commences on the 15th day of Kartika- a Hindu month. The first day is celebrated as Dhanteras, the second day as Naraka Chaturdasi- the day when Satyabhama, Krishna’s wife, killed Narakasur while the third is the main day of Diwali. It is followed by Govardhan Puja and Bhai Duj.
Celebrated across the length and breadth of the country irrespective of caste, region, and religion, it is only fair that this beloved festival has quite some legends and stories attached to it with various adaptions of them too.
Here are some of the often known ones:
Legend has it that once lived a demon named Narakasur who had the boon that he would be killed only by his mother. His mother’s death in his childhood made him an immortal and with these powers, he began tormenting people of both Earth and Heaven. Lord Krishna hence asked Satyabhama who was a reincarnation of Naraksur’s mother to kill him, thereby setting free the 16,000 women he had held captive.
According to some legends, it is believed that Pandavas who were unfairly ousted from their kingdom into exile returned on this day. It is also believed by some that Lord Rama returned from his exile on this day as well. As he was adored by his people, they welcomed him by lighting lamps and hence it came to be called Deepavali or the festival of lamps.
Bhai Duj or Bhau-bheej as it is called in some cultures is celebrated on the 5th day of Diwali. Lord Yama, the god of death visited his sister Yami on this day to bless her. This day henceforth became auspicious and it is believed that any brother who visits his sister on this day would be free from all evil and sins.
Mostly popular in the eastern states of Odisha and West Bengal, Kali Puja forms an important part of the Diwali festival. It is said that Devi Kali, an incarnation of Goddess Durga, killed all the demons walking Earth and wore their heads as a garland. Unable to control her rage, she started destroying everything that came her way. In order to stop her, Lord Shiva lay down in front of her. As she stepped on him, she came back into her senses.
Holding such prominence across India, Diwali calls in for special celebrations and decorations not just before but also after the festival.
This festive season, bring home some of our exquisite pieces of art, idols of Lord Ganesha and Devi Lakshmi and more.
Visit our website to find more.
Stay tuned to our updates!
Dating back to the 16th century, Hampi is recognized as a World Heritage Site by UNESCO and is often called the world’s largest open-air museum. A tourist attraction in Hampi, the famous chariot has an interesting history to it.
It is said that when King Krishnadevaraya of Vijayanagara empire went to fight a battle against then Kalinga Rajya or modern-day Odisha, he happened to lay his eyes on the beautiful chariot in the Konark Temple and wanted to construct one in Hampi.
Upon his orders, this iconic chariot of Hampi was built which now stands as part of the three most recognized chariot structures of India including the one in Konark and the one in Mahabalipuram.
The Hampi Chariot, though it looks like one solid structure, is actually made of several slabs of granite carefully plastered together to look like one. On its base are carved scenes of mythical battles in intricate detail. It is said that when the chariot was constructed, two horses were carved to pull it but now one can find elephants instead.
This Chariot is built in the Vittala Temple Complex as a shrine for Lord Vishnu’s vehicle Garuda but now stands empty. Folklore is often stranger than reality, and it says that the world would come to an end when the chariot moves.
A jewel in the crown of Karnataka, this exquisite structure stands tall upholding the state’s cultural heritage and the country’s artistic pride.
Recreating this masterpiece-
We at Artisanscrest take pride in the fact that we have successfully recreated this masterpiece in all its valor and grandeur.
We were commissioned with the task of condensing this mammoth structure into dimensions of 3ft x 2ft x 2ft. It took us about 12-15 weeks to carve this legendary structure with all its iconic details.
This chariot, and many such prized artifacts, be customized and made according to your needs and wants including size specifications and other details.
In doing so, our endeavor is to pay tribute to the artistic grandeur of India and recreate those pieces that are often hard to come by- such as the ones preserved in museums across the world. Our sole aim is to give people a chance to own a replica as a memory of what the original stood for, much like a memento or a token.
The Hampi Chariot is just one of our recreated masterpieces. Our skilled artisans give us the opportunity to provide you with more options in customization across a wide range of artifacts.
Be it a Kerala Mural
Or a Pattachitra Painting
Be it from the Golden Grass range
Or a Marble Statue
Or any other Indian artifact from anywhere around the world that catches your attention, write to us for a consultation.
So what are you waiting for? This festive season, bring in an exquisite masterpiece of your choice, customized to your needs.
Please note that no copyright infringement is intended in the recreation of these masterpieces, nor do we make claims of making the original product and selling it. All our recreations are a tribute to our rich heritage and must be treated as such.
Generally speaking, painting is a form of art which uses pigments (colors) that are applied on any surface such as a cloth, a canvas, rocks, walls, etc.
Painting serves as a tool for visual communication by bringing in elements such as texture, depth, contrast, value, gesture, background. It can be both realistic or suggestive.
What initially started in the caves during the pre-historic age kept getting better over time with the use of various methods and techniques. Paintings are now a part and parcel of life.
The history of paintings
The earliest known paintings were discovered in the Chauvet and Lascaux caves of France. They house a number of representations of animals such as Bisons, Horses, Lions, Deers, Rhinos, etc and also some species that are now extinct.
Another peculiar variety of paintings found in these caves are those of hand marks. They are believed to be made by blowing dried pigments around the hand to create an impression.
Although the exact reason for making such marks and impressions is not known, the art of that time is considered more of a communication tool rather than for aesthetic purposes.
Evolution of paintings
Paintings of the early period usually portrayed two-dimensional images. It wasn’t until the time of Renaissance that painters started showing depth and dimension using techniques such as perspective, shades, and shadows.
It was after this that artists started experimenting with this style of art giving birth to different styles of painting such as Realism, Mannerism, Impressionism, and Romanticism.
Each style has its own distinctive characteristics. Take for example Impressionism where a visual is suggested using plain brush strokes. As the name says, this style of painting only suggests an impression of the actual visual. The famous painter Claude Monet was an Impressionist.
Painting in India
Painting as an art form not only evolved in styles but also in methods, medium, and character.
As in the case of France, the earliest paintings in India were also found in caves such as Bimbetka.
However, owing to regional diversity, Indian painting also took varied forms such as Pattachitra, Kerala Mural, Madhubani, Kalamkari, Mandala, Warli, and so on.
A form of painting prominent in the regions of Odisha and West Bengal, Pattachitra art is usually made on a piece of cloth using natural pigments.
Painters, traditionally known as Chitrakaras first prepare a gum made out of tamarind seeds. They use this gum and white stone powder to coat a fine piece of cloth in order to create a workable surface.
An outline is then drawn in which colors are filled. The traditional method uses pigments made using natural elements. For example, white was made out of conch shells.
Pattachitra is predominantly icon painting using Lord Jagannath as its common subject as shown below.
Bright hues are used for painting these pieces of cloth.
Find the painting here.
Another striking feature of most Pattachitra paintings, as seen below, is that they follow a principle of floral borders.
Kerala Mural painting is another very prominent form of traditional Indian art.
Unlike Pattachitra, the surface for a Kerala Murals is not limited to a piece of cloth as it explores walls, stones, and canvases.
Traditional mural paintings were however done on walls for which the wall was first thoroughly primed by coating it with layers of limestone mixture.
An outline of the image is first drawn followed by giving it dimensions. Colors are then filled after which a black outline is given to each and every detail to accentuate the painting. The final step consists of coating with a pine resin for a finished and glossy look.
Kerala Murals make use of bright hues with orange dominating the palette as in the below picture.
With changing times, artists have started using various other media such as a canvas and cloth. Below is a painting for Lord Krishna done on canvas and paper.
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Pertaining to the abundant availability of stones, civilizations dating back to as far as Mesolithic age saw the usage of these rocks for creating some exquisite works for various purposes.
Some of the earliest stone works include The Stonehenge, Moai and some sculptures recovered from excavating caves and historic civilizations such as the Indus Valley Civilization- each having their own unique style, purpose, and characteristics.
Formation of rocks:
Millions of years ago, the Earth was simply a huge ball of mineral gases. As these gases began to cool down, they got compressed and took on a solid form to become what we call natural rocks.
There are a variety of rocks on Earth such as metamorphic, igneous, sedimentary, etc. Their variety depends on the minerals that went into their formation and their origins.
What is stone carving?
Stone carving is essentially a process by which objects are sculpted out of a piece of rock or stone. It has been a very common yet difficult form of art for quite a few centuries now. Over time, sculptors began taking keen notice of details, beautifying their stone sculptures and creating truly realistic masterpieces out of them.
Limestone, granite, sandstone, marble, soapstone, black stone, etc. are some of the commonly chosen rocks/stones for sculpting- each having their own unique characteristic and quality.
The process of carving stones:
Carving sculptures out of stone begins with the sculptor choosing a stone for his/her work. They then usually create a replica of their design or sculpture using another medium such as Plaster of Paris. This makes it easier for them to copy exact details. Some artisans, however, prefer directly carving the stone.
Carving of the stone involves chiseling out the excess or unwanted parts of the stone using a pointed chisel to create a basic structure.
Once that structure is ready, the sculptor then begins to refine his sculpture, carving out details and bringing out a more defined structure.
After all the carving is done, he then finishes off by smoothening the surface and giving it a polish. Usually, a sandpaper is used for this purpose but it depends on the rock or stone used.
Black stone sculptures:
Black stone is a very commonly used rock for creating sculptures because of its beautiful color that gives an elegant finish to the sculpture. Different types of black stones can be used depending on the sculptor and his needs. Black Onyx is a variety that is often used for sculpting purposes.
Our exquisite Black Stone collections:
Dharma: The Symbolic Sermon-
Simple but professionally crafted, this sculpture shows Lord Buddha seated on a throne and demonstrating the Dharma Chakra Mudra.
Find it here.
Kama: Uncontrollable Desire-
Hindu scriptures define Kama as a physical desire for intimacy between two people. It is this desire that is said to drive all the creatures into reproducing and hence keeping evolution going.
This polished, black stone sculpture depicts the same passion between a man and a woman.
Praheli: The Enigma That Is Life-
Scholars, yogis, and philosophers were forever faced with failure trying to understand the mysteries of life. This secrecy of life hence became an interesting subject for artists and artisans to explore.
This sculpture is a fine example of one that depicts this enigma by being carved to look like a question mark with different creatures engraved on it, conveying that everything that walks the Earth is an eternal part of this question.
Find yours here.
Marble sculptures first came into appearance during the age of Mesopotamia for carving crude models of animals. They gradually kept developing and got their prominence during the Greek and Roman period.
Greek sculptors paid emphasis to human figurines in stark details and contrasts and so was the case with the Romans. Marble carried a soft and translucent texture which enabled the sculptors to create a visual depth evoking realism and hence was greatly used.
With time, marble became one of the essential media for sculptors to sculpt with in order to create beautiful figurines with flowy designs.
What is Marble?
Marble is a metamorphic rock made out of limestone. It is formed when the limestone is subjected to heat and pressure over time combined with other materials.
The finest variety of marble, the one best suited for sculptors, is free from any stains or marks.
Working with Marble:
Carving a sculpture out of marble begins with choosing the right quality of marble. Once a stone is picked, the sculptor goes on to create a wax or clay model of the desired visual in order to have an example to work from. However, a sculptor might also opt to carve out of imagination as was the case with most Renaissance sculptors.
The process of carving begins with chiseling the basic shape out of the block of stone. A point chisel is often used for this purpose using which unwanted pieces of stone are pitched off.
After obtaining a basic shape, larger details like folds and turns are carved to bring out features and characteristics. The sculptor then goes on to carve the finer details that beautify and add grandeur to the sculpture.
The final stage in sculpting out of marble is polishing the surface for a smoother finish. A sandpaper or sand cloth is often used for this purpose. Iron and tin oxides are applied for obtaining a reflective surface.
Some exquisite marble models from our collection-
1. Abhedabhava: Radha and Krishna, Embracing in love:
The love story of Radha and Krishna is much adored and often repeated through Indian mythology, folklore, and songs. Such love, that sustained time and distance, is also a common subject for sculptors.
Carved to perfection and adorned with bright, vibrant clothes and jewelry, this is one of the finest depictions of the lord and goddess in marble.
To customize and order, click here.
2. Gayathri: Goddess of Knowledge and Wisdom:
Goddess Saraswati, also known in some tales as Devi Gayathri, is the Hindu goddess of knowledge and wisdom. Known for her purity, she is often depicted in white clothing, holding a Veena and Vedic scriptures- seated on a Lotus.
Pure white marble with bright golden lining and stark features makes this sculpture a beautiful idol to be placed in your Puja room. What’s more, it is said that whoever welcomes Saraswati into their lives is sure to gain immense knowledge and wisdom.
Click here to see more details about this product.
3. Ekadantha: Ganesha, The Elephant God:
The elephant-headed Hindu god- Lord Ganesha- is one of the most revered and beloved. No auspicious event is ever commenced without a Ganapati puja.
He is said to be a boon-granter. Bring this idol today to spread the divine energy.
Find this sculpture here.
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When in 1498 A.D, a Portuguese traveler Castaneda recorded having found some grandiose paintings on walls of what he presumed was a church; archeologists knew there is more history to those paintings than known.
Exploring down the line, we now know that painting on walls in Kerala dates back to as long as the pre-historic age, for many such masterpieces were found on rocks from the upper Paleolithic period.
However, mural painting in Kerala is said to have begun between 7th and 8th century A.D, being heavily influenced by the Pallava art.
Since the time they were imbibed, their common subjects were religion, gods, and scripts extracted from mythology.
Kerala murals then and now:
One striking difference between the murals paintings in their earliest days and now is that when they began, they were essentially wall paintings. That is, their only medium was a wall or a rock. Now, however, artists have moved to more contemporary media and have started making use of canvases, papers and even cloth for painting. They have also moved to painting various other subjects now.
Pigments and gum used for painting are still natural to a large extent though. For example, the colors used are extracted from vegetables or made using certain minerals or stones.
Characteristics of Kerala Mural Painting:
Kerala Murals are painted in bright colors with orange (saffron red) and blue being the dominant shades. However, colors like red, green, yellow, white and black can also be found. The paintings are more flowy than symmetrical and often follow a pattern of stroke delicateness and detail.
Characters depicted are more towards conveying an emotion or depicting a bond and hence facial features are of great importance in this form of art.
Mural artists also strictly follow a ratio and abide by the rule of thirds, better known as the Golden Rule.
Some exemplary Kerala Murals from our store:
Manomay: The Winner of Hearts
There is probably no traditional art of India that does not take Lord Ganesha as its subject more often than not and so is the case with Kerala Mural Painting.
This painting is one of the finest examples of this art form painted in bright colors and depicting a cheerful play in the expressions of the lord.
Jesus Christ: The Last Supper
One of the most prominent instances in the history of Christianity is this moment when he declared that one of these disciples would betray him. This incident was first painted into popularity by very renowned Renaissance painter, Leonardo Da Vinci.
This painting of The Last Supper recreated by one of our artists captures the essence of the moment when Jesus is calm and composed, having accepted his fate while his disciples are in angst and wonder.
Advadarsin: Lord Krishna, The Supreme Guide
Yet another iconic moment in mythology is when Arjuna falls into a moral dilemma just before the epic Kurukshetra war and Lord Krishna imparts him with the knowledge of the Bhagavat Gita.
“karmanye Va Adhikaraste, Maa Phaleshu Kadachana”
Your authority begins and ends with the act, the outcome is Mine and My own, the Lord declares.
That very scene is captured in this Kerala Mural Painting in much detail, beauty, and importance to expressions.
Dakshinamurty: Lord Shiva, the Ultimate Teacher
In stark detail and bright hues, this painting stands different from other depictions of Lord Shiva where he is often portrayed as a family man, as a destroyer or as a dancer.
Lord Shiva here is depicted as a teacher as he is an idol of immense knowledge.
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Situated 60kms off Bangalore, this quaint, rustic rural area in Karnataka is noted for its expertise in crafting wooden artifacts- toys to be precise. These wooden toys and crafts are famous not just in India but across the globe and are widely exported.
Origin of this traditional craft dates to the era of Tipu Sultan’s rule about two centuries ago. It is said that he invited artisans from Persia to visit and train local artisans in this field. This how now become an age-old tradition and heritage of Channapatna region to craft wooden artifacts.
Characteristics of Channapatna Woodcraft:
For as long as this art form existed, Channapatna woodcraft, especially toy-making has been making use of ivory wood as the medium to craft on. Artists continued to maintain this legacy along with another striking feature of using natural pigments for coloring, hence making them very eco-friendly.
Did you know that this craft of wooden toys has been given Geographical Indicator (GI) status?
The process of Wood crafting:
As mentioned earlier, traditional artisans often use Ivory wood for carving and rarely make use of Rosewood and Sandalwood.
They procure their raw material from the local market which readily supplies them with adequate quantities of wood. However, deforestation has made the supplies of wood rather limited.
The wood is then seasoned for about 2 to 3 months and then chiseled into desired shapes and sizes. This is the toughest part of the entire process and requires exquisite craftsmanship. Once shaped, the piece is rubbed with sandpaper to give it a smooth finish.
For the final finishing of the woodcraft, lacquer is applied and evenly spread on it which gives it a glossy and shiny finish.
Our unique Channapatna Collection:
We at ArtisansCrest proudly display our amazing Channapatna woodwork collection on our online store.
Made using small pieces of chipped wood, this art piece depicts a typical scene one would find during a sunset in a coastal region. It shows fishermen returning from work while women look after children, prepare food and manage household activities.
Different tonal values used for depicting shades and shadows give the work a sense of depth and perspective making it look realistic and attractive.
Muktidaya- Lord of Eternal Bliss:
This elaborate and detailed sculpture of Lord Ganesha is carved entirely out of wood and is a testament to the craftsmen’s eye for intricacy and beauty. It’s glossy, dark finish gives this sculpture a very antique look.
Another example of our artisans’ artistic marvel is this flower vase which is so intricately detailed that it makes sure to catch all the attention in the room.
With beautiful floral carving all over it and having an alluring color, this is one that is straight out of a royal palace’s furniture catalog.
This one is yet another very unique and not-often-found Channapatna woodwork. It is an ancient lamp which was in use decades ago as the only source of light at nights.
Did you know that some interior and rural parts of India still use them for day-to-day purposes?
Stay tuned to our blogs for more such stories of traditional art from different cultures of India. Also, don’t forget to subscribe to our newsletter.
Born in rural Odisha and West Bengal and originating as early as the 12th century, Pattachitra is an art form that is iconic to the cultural heritage of India. Patta in Sanskrit means cloth and Chitra means a painting. Pattachitra is, in literal terms, motifs and pictures painted on a piece of cloth.
This art form requires natural pigments and when traditionally done, takes up as many as 15 days to even a couple of months depending on the size, motifs selected and intricacy of the paintings. This style of art is usually passed on through generations and the entire family is involved in painting these.
All that goes into making a Pattachitra- Process:
To start with, a Pattachitra artist, called a Chitrakara, would need to prepare a Patta. For this, he needs to prepare a tamarind paste called niryas which is done by soaking tamarind seeds in water for a couple of days and then crushing and heating them to make a paste. This paste, when ready is used to hold two pieces of cloth together by being applied in between them. A generous coating of powdered soft clay stone is given about a couple of times to make sure it becomes firm. Once the cloth is dry, one soft stone and one hard stone are used to rub the cloth with to make the cloth a workable canvas.
As this artform uses natural pigments, then comes the requirement of preparing colours. The gum of the Kaitha tree is a very important ingredient in making colours as this acts as a binding medium. Many naturally found raw materials such as vegetables, minerals, stones, and shells are used. For example, for a white colour, powdered conch shells mixed with the gum are used. Similarly, coconut shells are burned or black from the lamp is used for preparing the black colour.
Once everything is ready to use, the painter then makes a border and outline strokes of the motifs he chose and colours are then filled in.
Themes and cultural heritage:
Pattachitra paintings usually depict mythological scenes and folklore. One very common and traditional theme for this art style is Lord Jagannath and stories/ subjects related to him such as the Badhia or his temple, his incarnations on Earth including the Dasavataras, etc.
There is an annual ritual in Puri Jagannath Temple where during the Debasnana Purnima when the three deities Lord Jagannath, Devi Subhadra, and Lord Balabhadra and given a bath with 108 pots of cold water. They are then believed to fall sick for a brief period of 15 days when they are not available for darshan. During this time, the Chitrakaras are asked to paint three Pattachitra paintings of each of the deities for the public.
Key aspects of Pattachitra Paintings:
Pattachitra paintings, as shown in the image below, often pay tribute to the trio of Lord Jagannath, Devi Subhadra, and Lord Balabhadra.
Borders constitute a very vital part of Pattachitra paintings and almost none of them can be said to be completed without a border. Some even argue that Chitrakaras start their artwork by making a border first. Borders are often floral as can be seen in the following image.
Pattachitra paintings, as in the picture below, not just make use of natural pigments but also often are seen being made in bright and vibrant colours such as blue, red, yellow, orange, green etc.
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The discerning team from Swarajya Magazine recently met with our team of art afficianados and spoke to us about the journey so far.
Here are a few excerpts from the article:
On our Creative Vision:
India has a rich heritage of traditional art forms. They do not get the recognition they deserve. Traditional artisans follow time-honoured methods in creating exquisite works of art. At Artisanscrest, we aim to bring these traditional skills and expertise to a global stage, so that the crafts are preserved for posterity. It is our dream to ensure that our rich arts and crafts not only survive but flourish in the homes of discerning art lovers, in India and abroad. Through our extensive and exclusive network of traditional artisans, we build a platform to market these arts, as well as provide a better livelihood for these artisans.
On the idea of 'Co-Creation:
We work with very fine pieces of art. It is our privilege to offer customers a chance to get involved in the creation process, making the artwork even more personal and unique. A small change here, a unique requirement there, and we bring to life the customer’s idea through a rich and lasting work of art.
On the challenges we face:
The challenges vary because of several factors. For instance, small statues are more difficult to make if there is intricate work involved. When we deal with large installations, it is a challenge to get large, monolithic blocks of stone to work on. If we are unable to work with monolithic blocks of stone, then it is a challenge to make the work look seamless. This is true for artworks on stone.
When it comes to metal, the challenges are entirely different. When creating a customised metal sculpture, the biggest challenge is to create a unique mould in order to build the specific sculpture requested by the customer.
You can read the rest of the article right here at: https://swarajyamag.com/culture/artisanscrest-an-innovative-dais-for-indias-traditional-arts-and-craftsmen